1.26.2011

_______________________________________________________

In the 15th & 16th centuries, it was believed that the mentally ill
were possessed by devils & that touching the patient's body 
would force the demons to seek shelter elsewhere. Today,
they are pushy & insistent. "Everyone needs help." Pharmaceutical
companies are spaniels. We're all terrorists, so they say. 
Every bed-happy government is bent on mythology. Narcissistic
pandemonium. "OUR PUSH-BUTTON HEAVEN." Blow everything
away unless it suggests intimacy. I peep forth laughing from 
amid the watermelon-pink flowers. I stomp a mud-hole in every
comfort-inducing gadget. Underneath my clothes are mountains
of cushions. Underneath my pillows are images that no camera
could capture. I hide my head there, like digging for diamonds.



THE NEW SEED BLASTS

upon the vine. I find you
when it is I that I find--
heart of eutexia, of your eyes
that move me like
heliotaxis--accentuated lush--
curve of Irish lilt--any "tongue," 
any sound heard like a composer
wrapping his body around 
the music like a ballet dancer--
bursts from brass wind
instruments or a "brass" wind. 
Flaming love, not a stuffy critic,
has no "elect"--but with
its variety of masks & creases 
of misrepresentation, emerges
truth, unconcealed, in fullness. 

II

Phenomenons not. Knots
of touching, greeting, protecting;
love doesn't "see" in lobes
like not allowing the right lobe
of the brain to know what
the left lobe thinketh--no,
ultimate love derives from
"The Prime Mover of Motions"--
no suspense of maintaining pressure. 

III

A love, vast & gushing
through the channels of the heart,
revived the moribund banks of
one's delta, hovers in the moist air
of the soul, through the eyes it flows,
the tongue it speaks, never chased away
by an echo that emotes of which
Death may eye to obscure. 

IV

Love's vision, sharper than the
eyes of Leonardo--gentle as the 
vivid hues of a peacock's fan--
ignores the force of gravity, unseen
but seen, instead drapes us, in rapture,
in admiration, like currents of vapor
or moving arabesques of cloud, borne up,
flexed, and played with our Wanting,
our Yearning, our pre-programmed wiring,
by brisk winds of Man's ancestral genesis. 




EGGS

"Hurry & get pregnant
Your eggs are getting older      maybe stale" 
a 38 year-old woman said
to a 37 year-old woman
                 I need Binaca
"concentrated golden breath drops" 
           Golden eggs
Breakfast is never the same

My sister is grossed out
because my uncle said, "it's unborn chicken"
             The truth grosses out
             everyone     an unimaginable key
in a real-life lock
             Every egg is "advertised"
proximity of watchwords
            An egg's fertilization in the animal world: 

Overlook a hunter's home
A wealthy home
     Pelts of polar bears      beaver       tiger    & jaguar
overflowing the floor      On the walls
moose heads sing censored things

Put me on a collapsible cot       Eggs of a new
Civil War linger         "I could have 
had children with Peter, Jim, Kevin or Charles"
the 37 year-old woman responds
      A nuptial chamber explodes

I study the menu: 
           Eggs any way you want them
Inward eggs
Sanctified
           Nevermind the "mortifying lingo"
of women your age
           Nevermind a Madcap mistress
           young & whelped by lust

Eggs       Your eggs are pictorial with
              -in
              Your eggs "good 'til the last drop"



______________________________________________________

The way 
       that a musician
       may "pick"
his guitar

So does 
      the poet
      that reaches up
& picks the stars 




________________________________________________

There are formless furrinesses in Codes--

"that willing suspension of disbelief" (Coleridge)

fraught with psychological luggage. Who is

liberated & who isn't? "You know, I don't

think I need cash anymore, you know?"

Think in diagonal. Early December, 2010:

Delta plane sliding in Minneapolis, "a moving

impression of grandeur." Take the whiskey bottles

from the hands of drunkards, return them emptied

& ready for the insertion of a ship.

Never expect cracks in the edifice, just lick

the cow-lick of exuberant optimism

the way birds hop & sing beneath leafy branches.

Mammock the mammons, sloppy-loppy tongue

of "loose sentenced" lies from the inveigher;

"kick the possum out." Spiritual invalids

as pursuers of fantasies. I'm adrift

on an ancient sea, but an ocean of renewed

fruit. A city will rot to the core that a pinch

-penny community cannot afford; garish, pre

-tentious, dull, meaningless, inhuman, drying to

the consistency of beef jerky. But the same city

of your mind, of your heart can become a

complete garden city of peace by receiving

Yeshua, who'll renew ya. The cat moans

& shakes in sleep. I'm soon to wear the powder

of snow. Winter presses: unleashed chests compressed.

Be careful of being fleeced; "professionally

mechanical in the face." In time I will

fly away, & come to think of it, where is

The Flying Car?





1.24.2011

NEWSREEL

The newsreel ends where one sticks an oar into cranes
    The old street cries     but not like dreadful months
in a war in Moscow or Siberia    but instead a street
that cries in New Orleans        Jazz has become a
young man with heavy eyes     Nothing ever returns to normal
like a flashback     Shrimp vendors  sing new songs
to housewives & children in windows above
    Does youth ever tire? Does an exhibited painting
"show itself"?   a code that is erased is a silence
   that drenches a city where the ripest young things
break into adorning shrieks over hoodlums, drunks,
rednecks, hazardous strangers--this "thing"
a Ding an sich    tip-toes around the future visage
   of an age-wrecked composition     A life-span
is the living language of a land clotted in
communities    with heavy emotional freight
to set oneself apart that excites the blood beyond
98.6     Mediocre or Meteoric      The newsreel begins
where privacy is a palette for concentration
   A wild impulse seizes me   Does "skill"   
spontaneous skill       communal skill    settle into
general ease or private discipline?    Is it much more
   appreciated? Like the dashing off of a parody
with heavy alarum    or not exacting the submissive solitude
to write but entertaining the tremor of a piano
   but unable to play it well     or a talent for
dabbling in paint or decorating a home
    Becoming "acclaimed" sounds eerie       I pierce
& press to extract the juice of "permanent errors"
    sacrificing seriatim    yolk of yore
Some houses        like city streets     are more jolly
   when silenced    where mottos are ghastly
pallor clings to every detail through thin air
    The newsreel shuffles     A poet malaxates
the carapace of continental exclusitivity
    A television scattered into fragments
This is to endure an unearthing of a preferred
    narrative    What you may prefer: watching a
German man observe his lover riding his bicycle
   along a country lane     or observing in closeups
simple pastoral tragedies     You want your life
   to be more effective    to see the "good" in
everything no matter the susceptibility or reluctancy
   like handing wilting daisies to bearded old men
that gestures effervescence like a spawning stream
   in summer's golden ecstatic lather
   Keep your Nomex on at all times so that no one
can burn you    chisel you into chiaroscuro
   Everyone wins           pass it on



PROTEST AT POZNAN FAIRGROUNDS, 1956

What of this ruthless shallowness?   history, dries,
lingers like ocean-erosion, then barren. 
       A photograph of a Polish protest, poignant 
       in this sermonized-like march. 
When officers fire into a crowd, every bullet sweats bullets; 
eyes of quizzical heroes-to-be sustain their standing. 
       On that bloody day, the way melodrama makes
       its own rules, demonstrators were driven flippo--
       they marched along Poznan fairgrounds
       chanting, "We want bread!"          Earlier, police
had let their force-field down & in unsustained 
suspense, spit fire across the Beckettian landscape
killing a 16 year-old boy.   The rioters
        dipped their Polish flag in the boy's blood
        carrying it high through the streets
        as if the land had turned into a suburb
        of Transylvania.  Attempts to desensitize 
the effects of power & violence.   To later soak
risk in water to numb the pain. 
        To weaken the sinews of tyranny,
        stretched to the steam of a singed teakettle. 
The skeletons of the Innocent belong to limbs & trees,
become balladeers, outspoken, overshadowing lands of malcontent,
        understanding everything.



EMPTY MAGNIFICATION

A camera         A camera that praises shadows
   instead of light       is a camera with insight
Or      cones in the retina      like enormous tracts of desert
scarcely satisfied      If a blindfolded society
    could thrive (without standing, moving) it would be
even more victorious with a double blindfold     
    Suddenly     dogs barking in the neighborhood
(two of them wearing red sweaters)
I watch for shadows underneath the door-slit    I am
a human flicker out of focus this day     the caves in my
throat sounding off like a quivering fog melting
    the way a particular street's ex-sewers   (a wave
of relief)     surges through me (the knowing of "little things")
The week of white-grey skies has diminished
   winter's colorless aluminum giving way to nonspectral
violets & magenta      browns & grays   
agglutinated with honey-light        Cat grooming on
the black-gray checkered blanket      fur like
paper-fine pastry       I could be shaving a swatch of
sandpaper         You seem confused but do not be alarmed
    for is the cuckoo bird in error when it leaves it eggs
in other birds' nests?      Were Michelangelo's raw
& oft bleeding hands nothing more than bubbling blades
of red-orange lava?     "Finely divided uranium takes fire
on exposure to air"     With eyes of angelic light   I could starve
myself to weightlessness     Look! in the sky!
          What you cannot see can track you down
snatched up with eager spite
          What you can see can make a sound
a diver floating in mid-flight
          Water splashes through words        A camera
's aperture    unconscious during every interim
I'm a human flicker out of focus this day
        "Empty Magnification" at my heels
like a snarling dog       the way Orpheus was snatched
from life's continuum




11.28.2010

___________________________________________

The ivory keys
trump the quotidian
of exclusive music.

Who heard
the sounds
of possible daylight:

A pond 
       full 
           of footsteps 
                 are 
         crammed 
                 into 
            the 
   frame.

In this age
of buildings
without roofs,

e-compositional
devices are
heavily-weaponized.

In front me,
a sticker says:

You 
    know 
        that 
            people 
         are 
   dreaming 
     of  
Socrates.

Faces
you can feel
in your insides

emerging out
of paintings.
Antimatter

is the sewer
underneath
the sewers.

I see maps
in your sloppy mop
sitting on the back porch.

Welcome to eternity,
beyond the works
of the human imagination!

Do you
really think
that the future

is a bear
rushing out
to grab you?

My mind’s eye
goes airborne
(tall signals)

when I think
of you.
When you

think
of me,
I am like

a soft wind
across a
Japanese rice field.

Even our dust
has a voice,
like speaking

through
cardboard pipes.
Another familiar Saturday

tangled in the rising sun.
Metamorphosis
from Weightlessness,

like grasshoppers
receding backward
into their leaps.

Images slowly erupt
into debris,
slowly circling

the Wall;
does it know
about the weather?

Plucked
by mighty things,
like a soaked

“Welcome” mat
sogging the socks.
This, a test.

A black cat,
in the center of
panicking children,

is the Mother
of the Moment.
Frigid women

holding themselves
outside of a theatre—
they often look down

at their feet
as if their bodies
were crumbling to ice.

People
annoyingly correct
other people’s mistakes,

but are the same people
able to discover “typos”
in a Mozart melody?

Kites in your words
cover me, hammering
the armor

out of my nerves.
I want coffee
to drink me for once.

“I’ll Photoshop it.”
I want someone
to open my up body

to see the light
within me
that could rival

the explosive bursts
of light
from the death

of a massive star
collapsing to form
a black hole.

Swollen sea
of everyone’s
object-viewage.

A woman
who is proud
of her curves,

the way
a cartoon character
walks in mid-air

for several seconds,
then falls to the ground
for entertainment’s sake.

I jab at no one.
I just walk through
muddy fields with no one

to speak to,
as if Tarkovsky’s eyes
were scanning over this scene,
 
“moving so as
to bring the words in.”
I am looking for a wife

that doesn’t want
to be like Paris Hilton
or act like

an angry pony
in a dance club.
I repeat myself often.

My body,
turning to confetti.
I “melt” away,

becoming a puddle
of exclamation points.
I am looking for a wife

that does not
judge one’s status,
that understands how

Incomprehensible
Comprehension
can be in writing.

A wife that is as kind
as an approving-nod,
that deeply loves

without needing
to construct opinions;
a wife that engages herself

in the divine fruits
of Yahweh;
an entanglement

that needs
no improvisation,
no words

at the surface.
I am a visible core,
serene & waiting

for my redemption.
Stare at me the way 
you would stare at a tree. 

Think of the tree 
as a flower
secluded in winter.





___________________________________________

What’s gotten into us is nearly boiling,
a kind of living portraiture.
The day & I are exchange signals.
Limbs of trees wanting to fall with the leaves.
A pretzeled putsch could be nearing.
Kamikaze owls rehearsing
like bulky barbaric cyber bombs,
immediately regretting their decisions,
like the surprising taste of water in a cup
that was thought to be tea. I find myself
on the ground, like Gulliver, into stone
I could be, the formation of gneiss.
Cluttered roads, as if to drive
takes needing password combinations.
Railway Age of “third party cookies.”
The rain, a slow drizzle; delicate to the touch,
the way yellow is comforting to the human eye.  
Windows of departure. Vietnamese greens.  
Autumn trees of chrome-like sapphire.
This Anti-vaccination Movement
“ticks off” the beaten path.
Now, overlook the flogged judge
with appendicitis of the tongue.  
There are only two ways to end a Haunting:
One: purchase software for eye-opening information.
Two: find someone with an IQ of 180 or better.




11.27.2010

___________________________________________

a day ago, the muggy heat
was a creeping thing
between the brainpan,
like a bombardier beetle
with its reactive chemical
compounds, raising its
temperature to the
nearing point of boiling water—
then the rain came—
then a dialectical spasm
of Cold brought a beautiful
muffing-up—table reading:
leafing through JFK’s death,
appalling nightmares—
what were my grandparents
doing at this time? I am trying
to grease the November night,
popping a star like a
celestial pimple; gumming up
space, as I space out
about everything aurora-like
& children are playing
basketball in the street
with sweaters on; metaphors
for Time as it sweats
through the pants-leg
of burning fabric, stinging
the legs, wasp-like translations—
what would happen if
the universe were alive
with the spirit of human life?
To question its authenticity,
verified by something
probably called   “           ”
—a question is often answered
by a response that
shakes the globe—
Underdogs of a war—
my grandfather was in the Service
but he does not like
to talk about it—no one speaks
of their past in my family
with such great emotion
& detail like that of my uncle,
but my Mother just told me
about a man who was
caught stealing electronics
at Best Buy; he ran out
of the door into a pack
of Marines, a pack of wolves




11.23.2010

___________________________________________

                  .                                  .                           .                   .                             .
 .       .                                                    .                 .                          .  .            .                                .
           .                      .                           .            .                      .                         .               .
                       .                     .                           .                    .                                          .               .
 I just want         .         .                                               .      .                        .       .                                 .
              .                                                            .     .                                                 .
                                    to reach up        .                                         .
         .                    .                    .                                                               .                        .              .
                        .                                               & smear 
.         .              . .              .                               .                                            .         .                       .
            .                                                  .                   .                      the moon       .               .
.                                 .
      .           .                                                                                                        in every direction 
                          .                            .               .                                    .
                                         .                        .                .                       so that                             .
.                .                               .
                                                                        the entire sky      .              .                     .
      .      .                                          .                 .                                 .                        . .            .            .
                                 would resemble     .                         .                           . .        .   .    .
         .                  .                    .  .         .              .      .      .                .                      .                     .
 a popcorn ceiling.                .                                            .         .                                                         .
               .                                                               .               .       .                           .            .
      .            .                                   .        .                                                      .                                 .
        .                   .                                    .                           .                     .                    .                  

THE OBJECT OF FLATTERY

The Object of Flattery
assumes a figurative sense—

the feeling of fabric, let’s say,
on one’s naked body in a cold,

dark room (goosebumps and
moonlight) illicitly thought of

as ‘proper’ to be without another
body represented, so that the

Thought turns around an ample
amount of sufficient ideas,

which therefore suggests a disguise,
in pun, to the room in which

the fabric rests upon the body
of one whole living kinship;

pincushions of an active sense
of imagination; the brain, like

a bee’s entrance into a nest,
the blade of a tongue, a suddenness

of a decision as if pondering which
aromatic soap to “try” next.

Aromatic money-spending
spanking the globe. I once wore

clocks, or watches, until I realized
that I only need a watch

to watch me at night while I sleep,
ticking me into a dream, tics

in the fluttery chest,—the idea that
a watch is worn as if to suggest

that one has just come from the outside. 



11.18.2010

BRAVURA

The nightsky holds me in its mouth
like a Kingfisher grasping a minnow.
I pull down the stars & staple them

to these walls. I will plant every one
of these sparkling diamonds,
like a milky-blurred background

in a black-and-white film,
into the overpopulated strangeness
of autumnlong quieted roots.

My hands like tentacles swipe
over the land of the season
as if I were Clockwork

flying out of an old diagram, ink-blotted
sumptuousness, Ciurlionis-like
greased color; an overloaded treasury

of conjoined voices. & the Truth is:
I view myself as a young boy
within a souvenir snowglobe;

the needlework as solid as premature
speech. Childhood is a fishbone
in the mouth of an animal.

I have abruptly left myself in my
own mind, stumbling in place as if
I have something to say but unable

to be as urgent as other poets.
I spew certain memories, their delicacies
invigorating interpretation.

Your particles still remain within
my inward valley; secret eyes, ripe,
like mail-persons reading postcards

before delivering them into the
fatigued mouths of mailboxes.
Memories, with age, are often trimmed

tinier & tinier. A memory
is a peephole, a visible tongue "airing out"
attempting to land someplace

the way a bat inhabits a geography
by sense of Feel. I recall the out-of-body
experience as a child, without thick description,

as I hovered from the window, & then
brought back into "place"---a barely visible
individual standing at the foot of my bed

glaring at me the way a familiar spirit
may create disruptions & bountiful messes
within the orbiting realms of a home.

My meditative spaces need no redemption;
wings of every meaning, sonicspeech
on the tip of my tongue aching for

a "second before," the way a tear
seemingly moves in slow motion,
like resin seeping from a Pine,

like I, thinking of you
in this utter nighttime silence. 





11.16.2010

___________________________________________

Cut the motion picture at mid-reel
so that I can swallow the void.
I am hearing sounds coming out

of the angry cat's mouth that I have
never heard before.
A smile simply "seemed."

Suppose we
bind ourselves together
preening the wind into our tiny wings.

I think of you like a song
that is continually upon my lips.
This is not a poem about a film,

this is a film about a poem
promoting its production in textual-form.
You, the sweet satyrian,

vineflowers of my day.
The soundtrack begins like a grunt--
the way one may grimace at a pawn shop:

one's gold-value sopped
by the oppression
of an inflated economy.

Our song is ambient, dear. I move
into a reflection, filling the holes
of every salty stupor.

She's staring holes through me,
sterling pearls hidden in the throat
of the clamped oyster shell--

"Music's only secret is silence"
& the ocean's silence is Music,
or a woman wearing stilettos;

the echoes filling every hallway.
I am illuminatingly observant
when it comes to my surroundings,

like not stepping into puddles
when they reflect a sky
but stepping into them

when they reflect the face
of a person: a splash, an uproar,
sassy ripples ripening one's composition.




11.02.2010

___________________________________________

My cat drinks water    W               out of the sink 
next to a pile                  h              of bronze bullets & 
a turned-over bottle         a            of handsoap. 
                                        t
The sun is on                      T         vacation for the night,
the moon, well,                  o          it just beams 
through the window          m          as if it were crowning me;
                                      o
as if, yes, tomorrow          r           's noonday light
will soon be                        r         a cranium
fit for a king.                         o
                                             w
It's nearly                           B         one o'clock
in the scorning                  r            & I'm thinking
of nineteen eighty-eight       i          with sweaty palms
                                           n
as if I could be                   g         six years
-old all over again            s           mirroring              
a moment                   I                 a time
                               s
where                  N                     even at this hour
I long for                o                   replenishing
the years gone by.     n                 Thirty 
                                   e
approaches            O                  quicker than
a Hello.                     f                Are the neighbors
as anxious as I?          M             No,
                                     y
they sleep                W               & await their daily
shifts, they drift           o              & await their next 
ship                              r             as I sink lower,
                                       r
lower into an undertow,      y       as if to mimick
the doomed Titanic,                   as if Possibility
were nothing more                      than a bank statement, 

as if Optimism clung                    to the carpet
like velcro,                                  where I flip through 
a worn diary                               of scribbled text,

taking it all in.