MAGNETIC ELEMENTS in this room, staged, but real, pain-staking inking of pressure, like an elder, bent over, unable to revv up the chainsaw, so he kicks it, breaks his foot & thus we enter foolishness, even as youth is a rare treat, a wasted summer watching 18-wheelers drive by carrying goods or flattened vehicles. On an overgrown path (like Leoš Janáček) I rise to see a little child sitting on a train next to a window, his head down, a palm against the pane. The sunlight is as conscious as an armed MOD; a zebra hiding in a wooden crate. United States flags seem to hang in every window of Plumber shops in Texas. Each night I dance amidst the light of the utility pole as if I were a comic strip. I hold my ribcage in place, mouth open under the moon, waiting for a planet to make off with my energy, set up a tent in my backyard & gaze back at where it once resided.
THE ORIGIN OF LIFE ON EARTH is spoken into existence by Almighty God & not by brainwashed corporate sponsors. Nor aliens. (Stephen Hawking is alienistic.) A hawk mistaken for an unidentified flying bird. What is there left to understand? Mental-demolition. The human cell, more complex than New York City at rush hour. That is a real page-turner! There are sixteen framed images of senior citizens on the wall someplace in Middleville, Ontario. I see this kind of thing in dreams or in nursing homes. Why am I wry? I see myself in each frame on the wall like a near-conclusive film. I see my father in each frame on the wall & I see my mother as the wall, holding us all tightly, but with a menacing appearance, the way a submarine longs to be a jet, coughing out air—me, six years old, a bathtubful of Army men & foliage. Wintery cragged ice, as if in Norway. The result of staying in the tub too long. Derbyshire is where I should be, as cold as ever, standing beside a woman in a pink sweater, a flower-patterned dress & carnation ballerina flats. I could be the plump girl standing hesitantly beside her, wearing a beige skirt with squintedly-nervous eyes, as if annoyed. Double-eared audible-spear. I ask my headphones to listen closely to me. Anyhow, I am very male. Sheepskin fur & all. Do soldiers always “keep the peace”? Male or machine, female or machine. Machine or machine to machine. Overpopulated Renaissance. Some girls swim with their Barbie dolls. They lay them out to ‘sun’ with their private parts covered. Here, gravity denies us, kisses the sky, the mind as ruinous as graffiti walls—des Grands Ensembles—toilet-set tongue, near-absent, or near Absence. I ache like a chef in New Orleans, with bodiless architecture, as if oil were classified edible, now as neon black as a politician’s gaping mouth.
TEMPTRESS FASHION advertisement in the background where two attractive women stand side-by-side both wearing skimpy Patriotic attire. They smile, clinging to one another, as if to define “plastic.” Down the street, a broad-shouldered, dark-skinned man with tattooed arms, a thick, dark black Fu Manchu, wearing a Grim Reaper t-shirt, looks like “Mister Bad News.” Sergei Prokofiev’s “The Fight” gushes into my ears. What is more unique, a stream of silver fish or a photostream of half-naked women? Overture of too-many-questions. No time to answer prolifically.
THE ORIGIN OF LIFE ON EARTH is spoken into existence by Almighty God & not by brainwashed corporate sponsors. Nor aliens. (Stephen Hawking is alienistic.) A hawk mistaken for an unidentified flying bird. What is there left to understand? Mental-demolition. The human cell, more complex than New York City at rush hour. That is a real page-turner! There are sixteen framed images of senior citizens on the wall someplace in Middleville, Ontario. I see this kind of thing in dreams or in nursing homes. Why am I wry? I see myself in each frame on the wall like a near-conclusive film. I see my father in each frame on the wall & I see my mother as the wall, holding us all tightly, but with a menacing appearance, the way a submarine longs to be a jet, coughing out air—me, six years old, a bathtubful of Army men & foliage. Wintery cragged ice, as if in Norway. The result of staying in the tub too long. Derbyshire is where I should be, as cold as ever, standing beside a woman in a pink sweater, a flower-patterned dress & carnation ballerina flats. I could be the plump girl standing hesitantly beside her, wearing a beige skirt with squintedly-nervous eyes, as if annoyed. Double-eared audible-spear. I ask my headphones to listen closely to me. Anyhow, I am very male. Sheepskin fur & all. Do soldiers always “keep the peace”? Male or machine, female or machine. Machine or machine to machine. Overpopulated Renaissance. Some girls swim with their Barbie dolls. They lay them out to ‘sun’ with their private parts covered. Here, gravity denies us, kisses the sky, the mind as ruinous as graffiti walls—des Grands Ensembles—toilet-set tongue, near-absent, or near Absence. I ache like a chef in New Orleans, with bodiless architecture, as if oil were classified edible, now as neon black as a politician’s gaping mouth.
TEMPTRESS FASHION advertisement in the background where two attractive women stand side-by-side both wearing skimpy Patriotic attire. They smile, clinging to one another, as if to define “plastic.” Down the street, a broad-shouldered, dark-skinned man with tattooed arms, a thick, dark black Fu Manchu, wearing a Grim Reaper t-shirt, looks like “Mister Bad News.” Sergei Prokofiev’s “The Fight” gushes into my ears. What is more unique, a stream of silver fish or a photostream of half-naked women? Overture of too-many-questions. No time to answer prolifically.
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