I rip up another poem, submerge myself
into animal thoughts:
a kitten sitting on a curb that is questioning
the size of the rodent. A bird picking
the teeth of a crocodile.
the size of the rodent. A bird picking
the teeth of a crocodile.
Just down the road,
there are people on a roof
there are people on a roof
installing a bright star.
How dumbfounded to be easily monitored.
How dumbfounded to be easily monitored.
Cohorts of disproportionate themes,
tentacled cuts in the experience
tentacled cuts in the experience
like glass cages of snakes & lizards;
visitors leaving smudges on the glass.
The horror of seeing a child carrying a gun full of
visitors leaving smudges on the glass.
The horror of seeing a child carrying a gun full of
water,
at first seems as mysterious as
an electroluminescent stage.
at first seems as mysterious as
an electroluminescent stage.
Scrubbing the Latin
from my future dream.
A dictionary is a rainbow.
from my future dream.
A dictionary is a rainbow.
Donne on the mind.
Who said what?
An ævum is taught—songs singing
without specks, singing away
the English rain. Rarely
do I open these curtains—
rarely do I expect the styrofoam plates
to be licked clean by the cats
before re-filling food on top of food—
Who said what?
An ævum is taught—songs singing
without specks, singing away
the English rain. Rarely
do I open these curtains—
rarely do I expect the styrofoam plates
to be licked clean by the cats
before re-filling food on top of food—
dry as bones bleached in a desert—
Now, minimal music &
I divert my attention towards the
swaying tree;
the result pulls alleys from my heart,
a “crowning achievement”—
a blindspot synthesized as poetic landscapes;
being outdoors, like a pipistrelle,
reminding me that we are all winter berries—
not like a painting that one becomes bored by—
but rather by the sudden “all-over”-associations defined by
reflective connective tissues &
elements of having flings
without all of the literature or memory involved.
Is this myth-making?
Now, minimal music &
I divert my attention towards the
swaying tree;
the result pulls alleys from my heart,
a “crowning achievement”—
a blindspot synthesized as poetic landscapes;
being outdoors, like a pipistrelle,
reminding me that we are all winter berries—
not like a painting that one becomes bored by—
but rather by the sudden “all-over”-associations defined by
reflective connective tissues &
elements of having flings
without all of the literature or memory involved.
Is this myth-making?
Butting-rams of laminated shock
like seeing a mosh pit at a jazz concert.
Tuck me into your full-Nelson.
I'll be your art product,
like seeing a mosh pit at a jazz concert.
Tuck me into your full-Nelson.
I'll be your art product,
like a mannequin,
but first let me walk back in-doors
where my reputation is orthographically presented
like an aging Louis XV
but first let me walk back in-doors
where my reputation is orthographically presented
like an aging Louis XV
seeking out diamonds for a mistress.
I am accordian-like in your presence;
plumpy jovial stirrings in the winds
like an abandoned building, lungless,
pattering at the heart of corrosion—
breakable like a shivering backbone
in an unlimited winter.
You collect me somewhere
in the dust of your memory.
I wake to see the moon hanging in the sky,
thinking I had seen an angel appear
as an orb
I am accordian-like in your presence;
plumpy jovial stirrings in the winds
like an abandoned building, lungless,
pattering at the heart of corrosion—
breakable like a shivering backbone
in an unlimited winter.
You collect me somewhere
in the dust of your memory.
I wake to see the moon hanging in the sky,
thinking I had seen an angel appear
as an orb
in this room. O how we trouble ourselves
like broken handlebars,
like broken handlebars,
rustic opposition, dreams of flying
through the loopholes of our distance.
through the loopholes of our distance.
As winter arrives
the cemetery has the sheen
of a carnivore's mouth,
the cemetery has the sheen
of a carnivore's mouth,
opened wide, teeth of an angry football team,
the sudden near-silence of too much noise
surrounding a city.
Our hearts are cities stirred in the mud
of harmonic pipes underground;
echoes design the ground
the sudden near-silence of too much noise
surrounding a city.
Our hearts are cities stirred in the mud
of harmonic pipes underground;
echoes design the ground
with lyrical intensity the way our southern "roots"
mostly map the
Infiniteness of direction.
mostly map the
Infiniteness of direction.
No comments:
Post a Comment