Please move the sunlight to
the front of
the fading beauty queen—
the fading beauty queen—
what is Old Age
= heartbeats-over-heartbeats.
To survive
is to interpret gaseous vulgarity as what it is not
with a breast plate of righteousness
that is like neurosis-force
as if the characters on the pages of a play that you are reading
stepped out of the play & spoke to you face-to-face:
pyramid of life containing a cone of visual divinity,
an allegorical cathedral—
I watched as my grandmother
= heartbeats-over-heartbeats.
To survive
is to interpret gaseous vulgarity as what it is not
with a breast plate of righteousness
that is like neurosis-force
as if the characters on the pages of a play that you are reading
stepped out of the play & spoke to you face-to-face:
pyramid of life containing a cone of visual divinity,
an allegorical cathedral—
I watched as my grandmother
tried to place flowers upon a gravestone
inside of an image of a stained-glass window—
the archaic colors reflecting onto her craggy
face, a heavenly banquet,
shadows fitting between light & object:
the body figuration of one’s whole terrestrial mass &
l
the mind/mind s p i t
s p lit
i
s p r i t
out of focus
to touch the sonic, roaring phantom ahead of us—
inside of an image of a stained-glass window—
the archaic colors reflecting onto her craggy
face, a heavenly banquet,
shadows fitting between light & object:
the body figuration of one’s whole terrestrial mass &
l
the mind/mind s p i t
s p lit
i
s p r i t
out of focus
to touch the sonic, roaring phantom ahead of us—
nothing but traces
in the shape of Lions.
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